nickdrake:

“CREATION OF ADAM”

Michelangelo (Buonarroti)

(b Caprese, ?6 March 1475; d Rome, 18 Feb 1564).

Italian sculptor, painter, draughtsman and architect. The elaborate exequies held in Florence after Michelangelo’s death celebrated him as the greatest practitioner of the three visual arts of sculpture, painting and architecture and as a respected poet. He is a central figure in the history of art: one of the chief creators of the Roman High Renaissance, and the supreme representative of the Florentine valuation of disegno. As a poet and a student of anatomy, he is often cited as an example of the ‘universal genius’ supposedly typical of the period. His professional career lasted over 70 years, during which he participated in, and often stimulated, great stylistic changes. The characteristic most closely associated with him is terribilita, a term indicative of heroic and awe-inspiring grandeur. Reproductions of the Creation of Adam from the Sistine Chapel Ceiling (Rome, Vatican) or the Moses from the tomb of Julius II (Rome, S Pietro in Vincoli) have broadcast an image of his art as one almost exclusively expressive of superhuman power. The man himself has been assimilated to this image and represented as the archetype of the brooding, irascible, lonely and tragic figure of the artist. This popular view is drastically oversimplified, except in one respect: the power and originality of his art have guaranteed his prominence as a historical figure for over 400 years since his death, even among those who have not liked the example he gave. For such different artists as Gianlorenzo Bernini, Eugène Delacroix and Henry Moore, he provided a touchstone of integrity and aesthetic value. Although his reputation as a poet has not been so high, his poetry has been praised by such diverse figures as William Wordsworth (1770–1850) and Eugenio Montale (1896–1981).